All the oil paintings of Caspar David Friedrich

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ID	Image	Painting(From A to Z)	Details
21861		Two Men on the Beach in Moonlight (mk10)	1817,oil on canvas 51 x 66 cm Berlin,Nationalgalerie
71634		Verschneite Hutte	c. 1827 Oil on canvas 31 x 25 cm (12.2 x 9.84 in)
72835		Verschneite Hutte	Date Deutsch: um 1827 English: c. 1827 Medium Oil on canvas Dimensions 31 X 25 cm (12.2 X 9.84 in) cyf
69952		View of a Harbour	View of a Harbour
44159		View of a Harbour .	1815-16 Oil on canvas, 90 x 71 cm
21890		View of a Port (mk10)	1815-1816,oil on canvas,90 x 71 cm Potsdam Sanssouci,Staatliche Schlosser und Garten,Schloss Charlottenhof
21806		View of the Artist's Studio Left Window (mk10)	1805-1806 sepia 31 x 24 cm Vienna,Kunsthistorisches Museum
21807		View of the Artist's Studio Right Window (mk10)	1805-1806,sepia on paper 31 x 24 cm Vienna,Kunsthistorisches Museum
44165		View of the Baltic	c 1820-25 Oil on canvas, 34,5 x 44 cm
67458		View of the Baltic	View of the Baltic, oil painting by Caspar David Friedrich
69979		View of the Baltic by Friedrich	View of the Baltic, oil painting by Caspar David Friedrich
44168		Village Landscape in Morning Light	1822 Oil on canvas, 55 x 71 cm
98019		Waft of Mist	1820 Medium oil on canvas Dimensions 32.5 x 42.5 cm cyf
70892		Wald im Spatherbst	1835(1835) Oil on canvas 33 x 44 cm (12.99 x 17.32 in)
71899		Wald im Spatherbst	Date 1835(1835) Dimensions 33 x 44 cm (12.99 x 17.32 in)
73987		Waldinneres bei Mondschein	Waldinneres bei Mondschein um 1823 bis 1830 cjr
56185		wanderer above the sea of fog	mk247 c.1818,oil on canvas,38.75x29.5 in,98.5x75 cm,hamburger kunsthalle,hamburg,germany
21780		Wanderer above the Sea of Fog (mk10)	1818,oil on canvas 74.8 x 94.8 cm Hamburg,Kunsthalle
33893		Wanderer Watching a sea of fog	mk87 c.1817/18 Oil on canvas 98.4x74.8cm Hamburg,Hamburget Kunsthalle
21391		Wanderer watching a sea of fog (mk09)	c 1817/18 Oil on canvas,984 x 74.8 cm Hamburg,Hamburger Kunsthalle
25959		Wanderer Watching a Sea of Fog (mk45)	c.1817-18 Oil on canvas 98.4x74.8cm Hamburg,Hamburger Kunsthalle
67461		Watzmann by Friedrich	Oil painting by Caspar David Friedrich
69980		Watzmann by Friedrich	English: Oil painting by Caspar David Friedrich
71237		Wiesen bei Greifswald	1820-1822 Oil on canvas 35 x 49 cm (13.78 x 19.29 in)
72407		Wiesen bei Greifswald	Date 1820-1822 Medium Oil on canvas Dimensions 35 X 49 cm (13.78 X 19.29 in) cyf
21831		Winter Landsacpe (mk10)	1811,oil on canvas 33 x 46 cm Schwerin,Staatliche Museum
52599		Winter Landscape	1811 Oil on canvas, 33 x 46 cm
73868		Winter Landscape	Winter Landscape 1811 cjr
96869		Winter Landscape	oil on canvas Dimensions 32.5 X 45 cm cyf
52473		Winter Landscape with Church	1811 Oil on canvas, 33 x 45 cm
21815		Winter Landscape with Church (mk10)	Oil on canvas,33 x 44 cm Private collection
73705		Winterlandschaft	Winterlandschaft
38572		Woman at a Window	mk135 1822 Oil on canvas 44x37cm
22785		Woman at a Window (mk22)	1822 Oil on canvas,44 x 37 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
21805		Woman at the Window (mk10)	1822 Oil on canvas 44 x 37 cm Berlin,Nationalgalerie
21879		Woman at the Window (mk10)	1822,oil on canvas,44 x 37 cm Berlin,Nationalgalerie
44161		Woman before the Rising Sun	1818-20 Oil on canvas, 22 x 30 cm
62853		Woman before the Rising Sun	1818-20 Oil on canvas, 22 x 30 cm Museum Folkwang, Essen In 1818, at the age of 44, Friedrich married Caroline Brommer, a cheerful 25 years old Saxon woman. That Caroline was a positive influence on the artist, which is evidenced by the fact that, from this point on, women appear with greater frequency in his work. A new, friendly element seems to enter his pictures. A case in point is the painting to which some authors give the title Woman before the Rising Sun, and which others call Woman before the Setting Sun. The woman seen in rear view appears as a large silhouette against the intense reddish-yellow of the sky. It is difficult to interpret the fervent gesture of her outstretched arms and the stylised rays radiating from the mountains on the hazy horizon, heralding the presence of the invisible sun. Caroline was probably the model for the female figure in old-German dress. Since she is stepping towards the light like an early Christian in prayer, some have sought to interpret the painting in terms of a communion with nature. On the other hand, the atmosphere evoked in Friedrich's painting might be interpreted as that of dusk, the path which terminates so abruptly as an announcement of death, and the boulders scattered alongside the path as symbols of faith. In the final analysis, few of Friedrich's pictures are as emphatic and almost exaggeratedly symbolic in their effect - factors which render the painting not unproblematic for the viewer. Artist: FRIEDRICH, Caspar David Title: Woman before the Rising Sun (Woman before the Setting Sun) , painting Date: 1801-1850 German : landscape
21855		Woman Before the Setting Sun (mk10)	1818,oil on canvas,22 x 30 cm Essen,Museum Folkwang
21851		Woman on the Beach at Rugen (mk10)	1818,oil on canvas,21.5 x 30 cm Winterthur,Museum Stiftung Oskar Reinhart
1271		Woman on the Beach of Rugen 4	1818 Oskar Reinhart Foundation, Winterthur
67462		Wreck in the Moonlight	Wreck in the Moonlight, oil painting by Caspar David Friedrich
69981		Wreck in the Moonlight	English: Wreck in the Moonlight, oil painting by Caspar David Friedrich
44152		Wreck in the Sea of Ice	1798 Oil on canvas, 30 x 22 cm
45198		Zwei Manner in Betrachtung des Mondes	mk181 1819 Dresden Staatliche Kunstsammlungen Gemaldegalerie
70649		Zwei Manner in Betrachtung des Mondes	Medium Oil on canvas Dimensions Expression error: Missing operand for 35 x 44 cm
72220		Zwei Manner in Betrachtung des Mondes	Date 1819(1819) Medium Oil on canvas Dimensions 35 X 44 cm (13.78 X 17.32 in) cyf
84804		Zwei Manner in Betrachtung des Mondes	oil on canvas, 35 x 44 cm Date ca. 1830 cyf

Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.